Nike Apparel
CLIENT
Mid 2017
DATE
Strategy & Insights
CATEGORY
www.belton-group.com
PROJECT LINK
“Leverpoole…It’s a very Rich trading town, …There are abundance of persons you see very well dress’d and of good fashion, ye streetes are faire and Long, its London in miniature as much as ever I saw anything.”
Celia Fiennes, 1698
Images/map
Georgian and Victorian architectural splendour form the city’s historic commercial and civic centre around Castle Street, Dale Street and Old Hall Street conservation area.
Built on medieval streets, the area contains a high density of 18th, 19th and 20th century architecture and sculpture representing the pinnacle of the British Empire’s trading prowess.
The styles, ambitious designs and lavish decoration are a celebration of the city’s mercantile wealth and trading links.
Key buildings include:
- 18th century Town Hall
- Oriel Chambers
- 16 Cook Street
- Tower Buildings
- Royal Insurance Building
- Martins Bank
Oriel Chambers (1864) and 16 Cook Street (1866), both built by local architect and civil engineer Peter Ellis (1805-1884), are characterised by their extensive use of glass in their facades. The use of metal-framed glass curtain walls makes them two of the world’s first buildings to include this architectural feature.
The design for Oriel Chambers is regarded to have influenced the Chicago School of Architecture and can be seen in some of Burnham and Root’s 1880s American skyscrapers. It is grade I listed due to its outstanding importance.
Martins Bank
The Liverpool Head Office of Martins Bank is a Grade II* listed building designed by Herbert Rowse and opened in 1932. It has been described as Rowse’s “masterpiece… and among the very best interwar classical buildings in the country.” In its early years the bank traded under the sign of the grasshopper.
Banks were inextricably linked to the slave trade in eighteenth-century Liverpool and the building illustrates Africa’s contribution to Liverpool’s economy and its association with the Trans-Atlantic Slave Trade.
Either side of the main doorway are identical relief sculpture panels. These depict Liverpool as Neptune, accompanied by African children carrying bags of money, with anchor and weighing-scales.
During the Second World War, the bulk of England’s gold was moved to the bank’s vault.